It was very early in the morning, the sun had just risen and the glazed tiles on the mosque’s façades were glowing like gold. It reminded me of the spectacular photos taken by Henri Stierlin. Pigeons were sitting on the South Dome and warming up in the sun. When entering the courtyard, the two domes of the mosque are not visible at first sight. In particular, the northern dome is not visible at all from here, one of the main reasons for having neglected this masterpiece of Islamic architecture during my previous visits. What attracts immediately the attention is the heavily decorated main iwan to the south. The two thin minaret-like towers have never been used for prayer calls.
The iwan contains inscriptions dated 1475-76 by the artist Sayyid Mahmud-e Naqash, who can be considered also responsible for certain decorations on the Darb-e Emam shrine only 300 meters to the west. While the latter was built during the reign of the Qara Qoyunly ruler Jahan Shah, the additions on the southern iwan of Masjed-e Jomeh were done during the time of Uzun Hassan, the great ruler of the Aq Qoyunly dynasty. Both show the highly decorative late Timurid style.
The numerous “elements of Shi’ite Muslim iconography of piety” point to the extensive embellishment during the Safavid era, in particular that of Shah Abbas II (1642-67).
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