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Showing posts with the label Alpay Özdural

Dazzling Decagonal

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The most interesting tile decorations and muqarnas , or stalactite vaults, are found on the western iwan of Esfahan’s Great Mosque. While all iwans have been added to the Seljuq mosque after a fire pillaged by the Hashashiyyin sect in 1121 CE, their decorations are Timurid and early or even late Safavid (late 15th till early 17th century). Next to the western iwan the pretty famous Timurid gate had been moved and inserted into the façade. It contains signature and date of its creator Sayyid Mahmud-e Naqash, 1447. A similar, highly decorative floral style can be seen on the south iwan and on the Darb-e Imam, some 300 meters west to the mosque, which is dated 1453. The date ۱۳۱۷ (1317) translates into 1939, by the way, when restoration had taken place. The Timurid gate near the western iwan of Masjed-e Jomeh leads to a room with a stunning dated (1310) mihrab of sultan Oljatu, the great Ilkhanid Mongolian ruler in northern Iran. The inscriptions are, according to Oleg Grabar in his...

Approaching the North Dome

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I have reported on last year’s journey back to Esfahan many times on this blog. I had been invited by the Islamic Azad University at Khorasgan for giving a course for postgraduate students and then stayed in the University guest house. I later moved to the Dibaee House in Esfahan’s old city , close to my ever fascinating study object, Esfahan’s Great Mosque. When living in Kuwait, I had once read a supplement to the Arab Times describing the marvels of this gorgeous building, which is not on the must-see list of sights of the common western tourist. I had visited the site whenever in Esfahan, but usually I did not stay inside the courtyard longer than, say, half an hour. This time, I had informed myself in particular by reading the wonderful book about the mosque by Oleg Grabar who had studied the largest mosque in Iran, which some people consider as the Chartres of Iran, in the 1960s and 70s. Before retirement, Grabar was Aga Khan Professor of Islamic Art at Harvard. His book is bas...