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The Long Way

That the small but oil-rich state in the northwestern corner of the Persian Gulf has recently elected four female MPs in parliamentary elections has seemingly pushed Kuwait again into a forerunner position among its Arabic neighbors, in particular largely retarded Saudi-Arabia. However, the tiny democratic achievements are at risk due to continuous outrageous reactions of six notorious Islamists in the parliament , namely Faisal AlـMislem , Waleed AlـTabtabaie , Dhaifallah BuRamiah, Jamaan AlـHarbash , Mohammed Hayef and Mubarak AlـWalaan. As we read in the Kuwaiti newspaper Al Watan Daily , they threaten to “walk out of the swearing-in ceremony of the two female MPs if they do not wear the hijab while taking the oath of office.” They even met to “discuss the legal procedures to be initiated against Aseel Al-Awadi and Rola Dashti for violating the Election Law which states that female candidates must stick to Islamic dress code during elections.” It is definitely a long way until dem...

Kuwaiti Women Power

In the third parliamentary election within only three years, four women have won seats in the Kuwaiti parliament yesterday. Women have fought successfully for their voting rights in 2005. I remember with much sympathy the women of Kuwait demonstrating in front of the parliament when inside lawmakers eventually agreed to give them the right to vote. When I congratulated some of my female Kuwaiti colleagues, open-minded and westernized, well-educated young women, they argued, however, that the right to vote may only strengthen the influence of the Islamists in the country. The paradox may be explained as follows. Very traditional Kuwaiti family fathers have, of course, up to four wives and plenty of grown-up but still unmarried daughters who, in all likelihood, will vote what the householder prefers: one man, several votes. In the following parliamentary election in 2006, and two years later when the parliament had untimely been dissolved by the Amir of Kuwait, His Highness Sheikh Sabah...

Abstract Art

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For some time, the Gonbad-e Qabud in Maraghah in Western Iran has attracted considerable attention. Maraghah is a small city east of Daryacheh Urumiyeh in the East Azerbaijan province of Iran. It lies about 100 km south of Tabriz close to the southeastern shores of the huge super-salty lake at the southern foot hills of 3700 meters high Kuh-e Sahand. On the other side of the mountain lies the picturesque village of Kandovan, Iran’s Cappadocia [1]. Maraghah is quite famous for its five tomb towers (four are preserved) from the Post-Seljuq and Mongolian periods (12th till early 14th centuries). Gonbad-e Qabud, the Blue Tower (1196/97), has the most elaborated and complex brick pattern which has fascinated and confused generations of explorers and tourists. It represents an octagonal tower with eight panels each crowned by a niche with a pointed, gothic, arch. The brickwork results in highly ornamental net of unglazed ribs interlaced with turquoise blue ribbons unrelated to the pentagonal...

Dazzling Decagonal

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The most interesting tile decorations and muqarnas , or stalactite vaults, are found on the western iwan of Esfahan’s Great Mosque. While all iwans have been added to the Seljuq mosque after a fire pillaged by the Hashashiyyin sect in 1121 CE, their decorations are Timurid and early or even late Safavid (late 15th till early 17th century). Next to the western iwan the pretty famous Timurid gate had been moved and inserted into the façade. It contains signature and date of its creator Sayyid Mahmud-e Naqash, 1447. A similar, highly decorative floral style can be seen on the south iwan and on the Darb-e Imam, some 300 meters west to the mosque, which is dated 1453. The date ۱۳۱۷ (1317) translates into 1939, by the way, when restoration had taken place. The Timurid gate near the western iwan of Masjed-e Jomeh leads to a room with a stunning dated (1310) mihrab of sultan Oljatu, the great Ilkhanid Mongolian ruler in northern Iran. The inscriptions are, according to Oleg Grabar in his...

The Southern Iwan of Esfahan’s Great Mosque

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As Oleg Grabar has stressed many times in his book about Esfahan’s Masjed-e Jomeh , the mosque itself is perfectly embedded in the fabric of the Old City. There are no well-defined boundaries of the huge, 170 by 140 meters, complex. The main entrance is rather hidden at the eastern side of the building. Only helicopters and birds (or angels) may get an immediate impression of the huge dimensions of the mosques. I asked the officer near the ticket seller whether I was allowed to climb to the roofs. He declined, of course. It was very early in the morning, the sun had just risen and the glazed tiles on the mosque’s façades were glowing like gold. It reminded me of the spectacular photos taken by Henri Stierlin . Pigeons were sitting on the South Dome and warming up in the sun. When entering the courtyard, the two domes of the mosque are not visible at first sight. In particular, the northern dome is not visible at all from here, one of the main reasons for having neglected this masterp...

Approaching the North Dome

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I have reported on last year’s journey back to Esfahan many times on this blog. I had been invited by the Islamic Azad University at Khorasgan for giving a course for postgraduate students and then stayed in the University guest house. I later moved to the Dibaee House in Esfahan’s old city , close to my ever fascinating study object, Esfahan’s Great Mosque. When living in Kuwait, I had once read a supplement to the Arab Times describing the marvels of this gorgeous building, which is not on the must-see list of sights of the common western tourist. I had visited the site whenever in Esfahan, but usually I did not stay inside the courtyard longer than, say, half an hour. This time, I had informed myself in particular by reading the wonderful book about the mosque by Oleg Grabar who had studied the largest mosque in Iran, which some people consider as the Chartres of Iran, in the 1960s and 70s. Before retirement, Grabar was Aga Khan Professor of Islamic Art at Harvard. His book is bas...